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・ Antonio Ng
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・ Antonio Nicaso
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・ Antonio Niccolini (abbot)
・ Antonio Niccolini (architect)
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・ Antonio Martínez Felipe
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Antonio Martínez Sarrión
・ Antonio Marzano
・ Antonio Marziale Carracci
・ Antonio María Barbieri
・ Antonio María Cascajares y Azara
・ Antonio María de Bucareli y Ursúa
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・ Antonio María García
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・ Antonio María Martínez
・ Antonio María Romeu
・ Antonio María Rouco Varela
・ Antonio María Valencia
・ Antonio Marín Molina
・ Antonio Marín Muñoz


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Antonio Martínez Sarrión : ウィキペディア英語版
Antonio Martínez Sarrión
Antonio Martínez Sarrión (born 1939 in Albacete, Spain), poet and translator.
==Biography==

Studied bachelor in Albacete and licensed in Law in the Universidad de Murcia in 1961. In 1963 he moved to Madrid, where he works as a government employee in the Central Administration. Between 1974 and 1976 he codirected, with Jesús Munárriz and José Esteban, ''La Ilustración Poética Española e Iberoamericana'', poetry magazine from which 12 numbers got published.
Figured in the famous anthology of the critic José María Castellet ''Nueve novísimos poetas españoles'', which confirmed his status as an important poet.
Inside the common antirealistic unrestlessness of the Novísimos group, Martínez Sarrión stands out for his sixtyeightist rebellion which made him admire the beat poetry and for assuming very early, many of the culturalist, irrationalist, surrealist and mythical references (literature, cinema, jazz) that his partners would later adopt.
In his poetry everything is mixed into one poem: the quote of the poet, a conversation, a digression, a memory, a jazz song, all that in a magnificent linking that he achieves to build by means of the break-up of the syntactical forms.
The technique of his poetic work has always been compared to surrealism, even though it is different because "the accumulation of images, apparently unconnected, comes from will (...) of expressing the chaos as it is lived. There is no, work about "free associations", but conscious disintegration of "logical associations", (...)". (Jenaro Talens in his foreword to ''El centro inaccessible''...).
Another side of his work is occupied by memorialism- He published a couple of diaries and a trilogy of memories, that fills his childhood years (''Infancia y corrupciones'', 1993) (Childhood and corruptions); his university days (''Una juventud'', 1996) (A youth) and his rise to literary life (''Jazz y días de lluvia'', 2002) (Jazz and rainy days).
Martínez Sarrión is a gifted translator of french too. He made one of the best versions in Spanish of ''Les Fleurs du Mal'' (The flowers of evil) by Charles Baudelaire, and translated Victor Hugo too ''Lo que dice la boca de sombra y otros poemas'' (What the shadow mouth says and other poems), Stendhal Translating Award in 1990. Other authors translated by him into Spanish are Jean Genet, Michel Leiris, Alfred de Musset, Chamfort, Jacottet and Arthur Rimbaud.
He participated in several occasions as a collaborator in the Spanish TV show ''Qué grande es el cine'' (How great cinema is), moderated by José Luis Garci.

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